Video calling has become a much more normalised form of communication during the pandemic, but it creates an uncommon space of distance versus closeness and isolation versus closeness. It’s a means of connecting with people from all over the globe in new transformative ways, but it can furthermore experience alienating and suppressing at instances.

During lockdown, artists Russian music artists Olya Avstreyh and Jenya Milyukos began confronting these boundaries by spending time together in this digital realm, every day for a fortnight by video on Instagram calling each other. What had been conceptualized first as a excitement, therapeutic way to keep up their drawing practice initiated to gain new momentum as they formed a shared artistic language to engage with ideas about nudity, censorship, and the female body in a patriarchal society. Videochat: send nudes is an irreverent, funny, beautiful, and rebellious response to a repressive regime. Though they were in different cities, they began drawing each other naked as they talked about their everyday lives and their concerns about the current political climate in Russia.

We talk to Olya Avstreyh and Jenya Milyukos about collaboration, prohibition, the sexualisation of the female anatomy.

I love these artworks! Could you tell us about the background of this collaboration, the intention of the project, and how the thought begun?

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Olya Avstreyh: Thank you! And that worked as a effective driving a vehicle force for us actually. Me and Jenya met at an MA program in contemporary painting at art school in Moscow (HSE Art And Design School) with no professional background in painting. I think we really started connecting by the end of the year and that’s when quarantine hit. We were both involved in a big online isolation group project and then we kind of slipped off and wanted to do soconnected withhing as a duo.

There was a lot of pressure in the air. We started off with ideas that it should be a game and then developed it into a therapy session type of performance where we inverted the classic artist-model scheme. So the idea came from within us than dictated from the outside rather. It seemed to be a historical moment where everything was resetting. It’s like almost, as an artist, you’re also obliged to respond the best method when the global entire world is falling separately. It has been a deliberate challenge. We wanted to reclaim the intimacy of video calls, we needed to paint, and we wanted to perform an experiment to learn how far can you push the boundaries of mutual trust with somebody you don’t really know.

We have a global problem with censorship. The definition of what’s prohibited is imposed upon us, sexualising area of our bodies without our consent. As you say, “The entire body will be not really pornographic unless the beholder objectifies it. ” Could you present a touch extra about how your job responds to this?

Olya Avstreyh: When we started having our sessions - every day for two weeks - an absurd political case was gaining momentum of an artist called Yulia Tsvetkova who is facing six years in prison for her feminist drawings, some of them featuring nude bodies, that she posted on social media. This is a big, big conversation about double standards and the puritanism of it all because, you know, natural male body shapes don’p censored on Instagram acquire, we checked! A big media strike swept through the Russian internet with mottos “free Yulia” and “female body is not pornography”. So, when Instagram taken off all of the articles and reviews with our collages and pictures, it had been like a person simply bumped you on the brain and drawn you back again to actuality. I suspect I in no way grasped the approach feminine nudity is taboo in our contemporary society totally. What rules about will be we discussing, art is supposed to break rules. With my own work, I think I elevated the concept of the nude body, my body, Jenya’s body, it all became a beautiful art shape for me just.

Jenya Milyukos: We started bombarding Instagram with pictures of the project one after another and everything got banned. Now we each have one “survivor-post” where lots of art had to be left out for no reason. We truly experienced to switch some of the collages and go over considerably more locations of the entire body.

“It’s almost like, as an artist, you’re obliged to respond the right way when the world is falling apart” - Olya Avstreyh

How is the current socio-political climate for artwill bets in Russia right now? What does it feel like being an artist making work in these conditions?

Jenya Milyukos: Being an artist in Russia comes with huge amounts of limitations by default. Lots of topics that one could work with are off-limits or simply hushed up. But there are lots of talented musicians here who are not afraid to speak up and this show of boldness is catching and inspiring to others, both inside of unblocking creative expertise but inside appearing considerably more conscious about their municipal protections likewise. As a consequence, the audience is not up to date or concerned with current social processes and, of a discussion instead, there’s judgement and condemnation. If the subject of your practice is political, in almost all cases it shall be cracked down on.

Olya Avstreyh: It’s sad when an artist starts catching themselves on self-censorship thoughts. But you can’t go to prison every time you want to make a point like Yulia Tsvetkova or Pussy Riot! Persons in Spain are usually hence broken-spirited and aren’testosterone prepared to permit get of the Soviet earlier.

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Could you tell us a bit more about your interest in captchas, and how the final aesthetic of the pictures evolved? Have you often propose them to turn into collages?

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Jenya Milyukos: We wanted to create a quirky game that only we would understand. We were constantly keeping up with the Tsvetkova case and since in captchas you need to select certain images, we wanted those to turn out to be the tabooed parts of the physical body. So we ended up doing collages in our distinctive style because it allowed us to use everything that surrounded us during our sessions, it was a mix of paintings, photos, chat screenshots, gifs, digital art. The major visual was a lotto board that converted into google captchas eventually. Me and Olya had been in feel online - movie dialling continuously, chatting non-stop, dropping memes, and we wanted all this to be part of the project as well.

Olya Avstreyh: It ended up being a proper online project, we have our drawings in physical form, but they of don’t do the job outside of this worldwide that we created kind. Jenya brought a lot to the table with collages because she has a background in graphic design and that was also the beauty of a partnership - when you’re constantly picking up from each other and balancing on each other’s strong sides.

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You say you discussed everything about your lives and your interests as you worked. Was it a vital aspect of this collaboration? How carry out you believe this constant discussion prepared the artwork as the fortnight moved on?

Jenya Milyukos: By the end of the project it was really hard to see the difference between our drawings because we kind of merged into one artist. If you adored this post and you would certainly like to obtain more facts regarding /mature-naked.com kindly see our web-page. The difference can be told by you only by some features, Olya will be pretty recognisable because I would continually color her scalp frequency dark-colored. Bottom line, it seemed to be all really fun and I feel quite an urge to resume our sessions because so many unresolved problems have piled up. Conversations that we had really helped me cope with a lot of dark moments that I was going through and couldn’t share even with my boyfriconclusion. It’t like you possess an session with your decrease but, as an alternative of receiving in that seat, you take off your clothes and start pouring your heart out but your therapist is also naked, of the day and quite than generating notes she’s piece of art your psychological family portrait. It was a new therapy of forms definitely.

Olya Avstreyh: I remember our first conversations were very laid back, we were establishing contact - like what are your favourite show on Netflix right now, what are you gonna do for your birthday. I would confide to Jenya and we became really close basically. But swiftly they became more full very. In two weeks, through extreme openness, which seemed to be metaphorical and literal, we’ve accelerated the process of how people become friends. On another known level, it definitely worked as a social experiment as well of how a buddieship and a creative duet is formed. I overlook Jenya and our treatments really.

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You plan to continue the project irl in the future. What will be your requirements and expectations for how it might evolve?

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Olya Avstreyh: Right now we’re thinking how can we bring this project to a museum format. We were video chatting on Instagram calls and recording every session but then it turned out that everything had no sound. We’ll carry out a proper movie where most shall end up revealed Potentially. Plus, since we started ever, we haven’t seen each other in person. I are convinced something might take place also up in that viewpoint. We want to exhibit it and add an extra layer to it because, right now, it’s definitely more of an online thing. Typical. Therefore you might’t hear our sounds everywhere best suited right now truly.

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We also have this wild dream that it could be a global thing where other female artists could do the same, like a flashmob. True sisterhood. Imagine how many new vital connections could be established. Jemima, if you’re reading this - dm me. I’d love to possess a session with Jemima Kirke, for example. I’d positive she’ll love this simple idea.

Jenya Milyukos: I agree, we want to break new ground. But such online sessions can’t be one-offs or, on the opposite, should be like Chatroulette when you meet someone online and then lose them in the stream spontaneously. The hardest point in like exercise is definitely to retain the pictural and imaginative factor, but keep a naive and absurd feel to it even now.